Big chair

February 12th, 2012 by Dmytri | Permalink

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Missing the 5

February 12th, 2012 by Dmytri | Permalink

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Weaving

February 12th, 2012 by Dmytri | Permalink

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Mirror

February 12th, 2012 by Dmytri | Permalink

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Blackboard

February 12th, 2012 by Dmytri | Permalink

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Lied des sozializmus

February 10th, 2012 by Dmytri | Permalink

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Sex Work and Consent at @transmediale

February 7th, 2012 by Dmytri | Permalink

Transmediale 2012 is over. R15N is closed again, until the next occasion. As usual, lots of great people  at the festival, and lots to talk and think about.

On Saturday I attended the discussion “Commercialising Eros” with Jacob Appelbaum, Zach Blas, Liad Hussein Kantorowicz, Aliya Rakhmetova and moderated by Gaia Novati. Aliya Rakhmetova, supporter of sex workers’ right working as a co-ordinator with SWAN, gave an overview of her organization and it’s campaigns defending the rights of sex workers, including campaigns to fight violence against sex workers. Jacob Appelbaum went over his experience working in the IT department of  kink.com, a leading internet pornography company, which he left as a result of his opposition to exploitive pay inequality at the company which paid the performers far less than the executives at the company. Liad Hussein Kantorowicz talked about her work as live erotic performer at a internet pornography site, and performed her job on the stage for her online clients while the other panelists gave their presentations. Zach Blas gave an overview of the work of the “Queer Technologies” art collective.

I enjoyed the presentations and discussions and applaud the panellists for their support of sex workers. One question stuck with me, I didn’t expand upon it at the discussion, but I’d like to here.

Several of the panelists referred to the issue of consent as a justification for sex work and a way of arguing against legal repressions of sex work, and against the opposition against sex work that some feminists and others have, as well as a way to distinguish sex work from rape. Sex work is distinguished from rape because it is consensual, and neither legislator nor moral campaigner has any place interfering with what consenting adults do. Yet, this argument is unsatisfying.

Within the capitalist system, where workers and their families face destitution and homelessness unless they work, no work can be truly described as consensual. What’s more the pretense of consent, is often used as justification for exploitation and to excuse the exploitive behaviour of employers. After all, the worker chose to accept the job. Yet, as the cliche goes, in context this choice is not much different than the one that a mugger gives you. “Your money or your life” is also a choice.

Like all professions, there can be no doubt that many sex workers feel empowered by their work, and take great pleasure in it. However, there can also be no doubt that many sex workers are directly or indirectly coerced into doing this kind of work, and face emotional and social trauma as a result.

“Consent” seems to justify not only the sex-work itself, since the sex worker consents to perform sexual services for a client, but the conditions of the sex-worker’s labour as well, since the sex-worker, like other workers, has consented to the terms of employment. Thus while consent may help us differentiate sex work from rape, it justifies the economic exploitation of the sex worker at the same time, since both the workers relationship with the client and the employer are ultimately consensual.

I would prefer to see a stronger line of argument that says that sex work is a valid form of work not merely because it is consensual, but because it is valuable. Rather then a week liberal argument based on the sanctity of what consulting adults to, a strong social argument that argues that sex workers do necessary and beneficial work and should be protected and supported.

Like the consent argument, the value argument also differentiates between sex work and rape, as rape clearly is not socially valuable, but unlike the consent argument it doesn’t excuse the economic exploitation of sex workers, since such exploitation is not socially valuable.

If we accept that sex work is valuable work that has a place in society, then we can focus on the health and well being of the sex workers directly, and acknowledge that many of them are not empowered consenting workers, but rather victims of coercion, trafficking and exploitation, often forced, unwillingly, into their work. Pretending that they have consented to their own exploitation is both delusional and disrespectful when it’s quite likely that the empowered sex worker who takes pleasure in their work is the minority within an industry that recruits most of its workers by way of terror and desperation.

The value argument also confronts the moral issues more directly, since the consent argument doesn’t necessarily dispute the immorality of the work, it only argues that nobody that is not directly involved has any business with it. The value argument makes a much stronger social statement: that sex work is not just a private business between consenting adults, but a form of work that benefits society and, far from being immoral, is a vital part of human civilization and always has been, despite persecutions and prohibitions. And that such persecution and prohibition should stop, not simply because it interferes with liberal rights, but because it is wrong and harmfull.

First we must reject capitalist ideological notions of consent, these do not help sex workers, only make them responsible for their own exploitation, and exploitation aint sexy. Once we see sex work as an essential form of work, we can fight for the conditions of these workers along with those of all other workers.

I’ll be at Cafe Buchhandlung for Stammtisch tonight at 8pm or so, I hope some transmediale folk who are still in town will join for a drink in celebration of a great event.

Stammtisch is here: http://bit.ly/buchhandlung

@transmediale 2012 in/compatible, R15N and Stammtisch.

January 31st, 2012 by Dmytri | Permalink

Today’s Stammtisch will not be at Cafe Buchhandlung as usual, rather we will be at Transmediale, starting at 5pm chatting with visitors about R15N. The opening is free, all are welcome so come say hi and get a preview of this years Transmediale.

HTTP://R15N.NET/tm12

R15N is our contribution to this years festival:

R15N will be the Official Miscommunication Platform of Transmediale 2012.

Our hope is that the system will serve to create engagement and a greater sense of community at this years Transmediale. The installation side of R15N is minimal. Some signage and two retro phones under desk lamps, along with a phone booth in which to access the website will represent the work in the physical space of the festivals, but the main purpose of these is to get visitors to register to the system.

Only once the user is registered is the artwork really experienced.

The system is extremely miscommunicative, failed calls and missed calls and occasional poor call quality seem bewildering at first, and the R15N experience begins quite mysteriously and somewhat awkwardly, as users get dropped into the network and begin to be connected with strangers, with whom they are ment to interact. But very quickly the experience starts to feel normal as users acclimatize to it’s quirks and begin to lose inhibitions.

Read the complete article here: http://wp.me/p24fqL-sw
Watch an introductory video about R15N:

Or learn more with the informative presentation:

I wrote about this years theme, in/compatible, following an reSource for Transmediale Culture presentation earlier this year:

To borrow the theme of this year’s Transmediale, “in/compatible.”
The slash between “in” and “compatible” indicates the bifurcation of the intrinsic and the extrinsic, both compatible and not compatible, providing an outwardly in/terface that is compatible, but only as a part of a transformative flow towards an inwardly nature that is ultimately incompatible. The road up to a new harmony, the negation of the negation, synthesis, and thereby also the road down to the new antithesis, the new in/compatibility, the endless flux.
It must seem paradoxical to strive against the existing being by adopting it’s outwardly nature, but disruption requires it. Unprotected by an adaptive exterior, the new nature can not survive, and therefore can never become. Naive attempts to build simple alternative ways of being, acting, or relating, in conflict with what is, while insisting on external and internal harmony deny becoming, and are drowned in the stream, entering into conflict too soon without sufficient development for the negation to become negated.

You can read the whole article here: http://wp.me/p24fqL-o

See you all at transmediale! Can’t make it to berlin? You can still be a part of the festival by joining R15N. Register by calling +49308687035761.

Here is the schedule for tonights opening:

17:00 h
transmediale 2012 Exhibition Vernissage
Dark Drives. Uneasy Energies in technological Times curated by Jacob Lillemose
with artworks from Ant Farm, William S. Burroughs and Antony Balch, Art 404, Bjørn Erik Haugen, Bureau of Inverse Technology (B.I.T.), Chris Burden, Chris Cunningham/Aphex Twin, Constant Dullaart, Costanza Candeloro and Luca Libertini, Daniel García Andújar / Technologies To The People, Heath Bunting, Jack Caravanos (Blacksmith Institute), Vibek Raj Maurya, Jaromil, Jennifer Chan, JK Keller, JODI, jon.satrom, Junko & Mattin, Marcelina Wellmer, Matteo Giordano, Karla Grundick and Mistress Koyo, Paidia Institute, Peter Luining, Ruth White, SPK, Steina and Woody Vasulka, Sture Johannesson, Nikola Tesla, Jay Dahl, TR Kirstein, Tracy Cornish, UBERMORGEN.COM, VNS Matrix, [epidemiC], Franco Berardi, Eva and Franco Mattes aka 0100101110101101.ORG
Steam Machine Music – live construction | performance with Morten Riis
Screening: Re-enactment Videospiegel | The first programme of VideoFilmFest ’88
The connection between the video festival, the work and the artists is somewhat loose. Successful videos feature at countless festivals, but often their creators do not even attend the screenings. And yet every one of these screenings – at least those with videos of short running times – is totally unique. The works are gathered together in a programme which, under normal circumstances, is never screened again outside of the festival. We have therefore decided for the 25th anniversary of transmediale to once again screen as a loop the opening programme from the first VideoFest in 1988; not only does this bring together a range of remarkable videos that have rarely been seen since, but also, as an opening programme, it offers a compelling statement of VideoFest’s own agenda.
18:30 h
transmediale 2012 Opening Ceremony | presentation with Kristoffer Gansing, Hortensia Völckers, Bernd Scherer and performance by jon.satrom
20:30 h
Labor Berlin 8 / Studio Weise7 Exhibition
The in/compatible Laboratorium | Vernissage with Kristoffer Gansing, Valerie Smith, Studio Weise 7 (Servando Barreiro, Brendan Howell, Gordan Savičić, Bengt Sjölén, Julian Oliver and Danja Vasiliev)
reSource Opening: R15N | presentation with Dmytri Kleiner, Baruch Gottlieb, introduced by Tatiana Bazzichelli
Steam Machine Music | with Morten Riis
Performances: The Future of Creativity | with Jeremy Bailey

Call +49308687035761 and you will receive a text message with your account details!!! A free text message from R15N! Don’t miss out on this!

January 30th, 2012 by Dmytri | Permalink

– @dmytri

R15N Launches Tomorrow! Register Today! Call +49308687035761 and Don’t miss out on important messages from the transmediale community.

January 30th, 2012 by Dmytri | Permalink

http://r15n.net– @dmytri

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