Archive for the art Category

Excerpt on Immaterial Peer Production (ping @mrteacup)

Thursday, June 16th, 2011 | Permalink

From The Telekommunist Manifesto

http://telekommunisten.net/the-telekommunist-manifesto

Excerpt from “PEER PRODUCTION AND THE POVERTY OF NETWORKS”

For peer production to have any effect on general material wealth it has to operate within the context of an overall system of goods and services, where the physical means of production and the virtual means of production are both available in the commons for peer production. By establishing a commons-based peer production in the context of an information-only commons, Benkler is creating a trap, ensuring the value created in the peer economy is appropriated by property privilege. We have found Benkler standing on his head, and we will need to redefine peer production to put his head above his feet again.

Incidentalist Manifestos Draft 11, Idiosyntactix circa 1998 // #platpol11

Thursday, May 12th, 2011 | Permalink

Idiosyntactix Strategic Arts & Sciences Alliance
- The Brand Name Of The Media Revolution!
_____________________________________

 

I N C I D E N T A L I S T M A N I F E S T O S

 

Witten by Dmytri Kleiner
DRAFT 11

 

INCIDENTALISM

 

Incidentalism is not a style of art, but rather an attitude towards the
practice of art. Incidentalists are artists of any style, practice or
medium who apply incidentalism in their work.

 

ARTICULATING THE NEW

 

The artist is a worker of boundries. To articulate is to express by
manipulating boundries, boundries in sounds and shapes, boundaries in
beliefs and behaviour. Whether for a page, canvas, stage or a moment of
pregnant silence, it is the task of the artist to express that which has
never been. It is through this articulation, this boundary work, that new
ideas, new knowledge and new techniques first emerge.

 

WHEREAS, it is the artist who is the bringer of the new,
SO THEREFORE incidentalism is a strategy for provoking new expressions.

 

BEYOND PRECONCEPTION

 

The new cannot be achieved with skill or knowledge, both of which are
rooted in the past, and are artifacts of the old. You cannot find the new
by way of that which you have already conceived. If the outcome of an
incident can be imagined, any enlightenment has already been perceived in
the imagining; only the un-planned can reveal the un-preconcieved.
Incidentalism seeks to introduce uncontrollable or unpredictable factors
into the incident of art.

 

WHEREAS incidentalism strives to express the new,
SO THEREFORE it is not our purpose to use art as a tool to demonstrate our
own skill or knowledge, but rather to use art as an apparatus to incite
expressions that are beyond our own preconceptions.

 

ART AND RESIDUE

 

Art is not an object, art happens. Art happens when the actions of artists
bring expressions into a state where they can be perceived. All objects
that result from an incident are merely the residue of the incident, not
the art itself.

 

WHEREAS residue incites further incidents which produce more residue,
SO THEREFORE an incident never truly ends; in fact all incidents change
the
world.

 

ON ORIGINALITY

 

All words, colours, shapes, movements, sounds and all other forms of
expressions belong to all that have perceived them or wish to express them.
All expressions are extensions of previous perceptions. Even if an
expression is intentionally duplicated, it will always be affected and
changed by the new incident of expression. Even if an expression is
purposefully unique, the artifacts of the incident and previous perceptions
will always be present. While no expression can ever be exactly repeated,
neither can any expression be completely new.

 

WHEREAS, all expressions are both original and derivative,
SO THEREFORE any attempt to claim ideas, knowledge or techniques as
property is fraud.

 

FREEDOM OF RESONANCE

 

Ideas, knowledge and techniques are the fuel of progress. Limits on
expression are enforced by vested interests in order to retain power. The
new is a threat to the power of the status quo. Since the freedom of
expressions to resonate is of critical importance, incidentalism will
strive to reclaim any expression stolen from the public wealth, and give
resonance to expressions suppressed by censors or otherwise excluded from
public dialogue.

 

WHEREAS, expressions belong to all,
SO THEREFORE all things that restrict expression are tools of oppression.

 

TERMS

 

Incident: The moment when art happens.

 

Incidentalist: An artist who practices incidentalism.

 

Coincidentalists: Anybody present or involved with an incident, including
the other incidentalists. Coincidentalists are not necessarily
Incidentalists or share the Incidentalists motives or beliefs.
Incidentalist art has no audience, only coincidentalists.

 

Accidentalist: An accidentalist, also called a Rubist, is one who incites
incidents with powerful and insightful resonance without any intention at
all to do such. The work of the Accidentalist has the greatest potency
because it is entirely unpreconcieved and therefore limitless in its
potential to incite new and enlightening expressions.

 

Conventionist: Conventionists admire convention and feel important because
of their relationship with, or knowledge of conventions, and usually these
conventions are widely propagated by vested interests. They like
conventional ideas and convention-like activities where people gather,
frequently in a convention center, to worship conventions. They concern
themselves with inane categorizations and judge value based on the fraud of
authenticity. To a conventionist a thing has more value because it more
closely replicates or mimics another thing, or is more similar to an idea
or type that is well-defined, and is supposedly more authentic or genuine.
They admire the well-planned and do not want the unpreconcieved to affect
them.

 

DOCTRINES

 

Incidentalist Inferiority Doctrine: One cannot try to be an Accidentalist
– one either is or isn’t one, and even that is not a state of being but
rather a role in a particular incident. The Incidentalists accept that
their work will always be secondary to the work of the Accidentalist. The
Incidentalists accept that they must be merely artists; the Incidentalists
admires and tries to learn from the Rubist, but does not try to be or
become a Rubist, as that would be futile and the results predictable.

 

Failure Is Success Doctrine: An incidentalist does not rejoice when a test
is passed with ease, but rather is disappointed because clearly the test
has been too easy. If a goal is accomplished too readily, then the goal is
deemed to have been set too low. If a plan goes off without a hitch, then
the plan has lacked ambition. The Incidentalists are always reaching beyond
their grasp, as nothing within their grasp will incite the new. Any plan of
action with an easily predictable outcome is not worth doing.

 

Manifesto as Conventionism Doctrine: By virtue of defining conventions,
these Manifestos themselves contain the seeds of conventionism; they are at
best a point of departure for the practicing incidentalist and not of great
value. These Manifestos are intended for those who are curious about
incidentalism, be they admiring conventionists or emerging incidentalists.
These Manifestos are not in any way complete, conclusive or binding and are
subject to change without notice.

Final Manifesto Text for Translating, Remixing, etc.

Saturday, May 7th, 2011 | Permalink

TelekommnunistManifesto_Kleiner_FINALTEXT.rtf
Download this file

TelekommunistManifesto_BACKCOVER_FINAL.doc
Download this file

 

The Thimbl Story. // #facebookpurge // Pass it on.

Friday, April 29th, 2011 | Permalink

# The Thimbl Story

People should finger each other as often as possible. Maybe even several times a day, hell, why not once an hour? As  often as you like! 

People thrive on interaction with other people. Mutual stimulation is a
deeply felt human need, a key characteristic of what makes us human. Imagine that
instead of reading your status updates on Twitter or Facebook, your
friends would just finger you instead.

The Finger protocol was originally developed in the 1970s as a way to
publish user and status information, such as who you are, what you’re working on,
and what you’re doing now. This is how the relatively few folks with access to
networks posted pithy personal bios. From when colourful polyester pants
were still groovy until the 90s people Fingered each other all the time!

Finger evolved into a completely decentralized system, where any user
could finger any other user as long as they were both on the Internet. There
were no big companies in the middle to control these users, or monitor them, or
try to turn their personal data into money. Fingering was a personal matter
between users, direct and unmediated, and nobody really knew exactly who was
fingering who. Promiscuous, right?

Sadly, these heady days of open relationships slowly came to an end.
Finger software was developed before the Internet had many users, and before
development was driven by commercial interests. The idea was bold, but the
software was primitive.

Capitalists and their desire for profit have no interest in such freedom
and promiscuity and chose to instead fund centrally controlled systems, in
which they are intermediaries. Investors wanted control, so that they can
commodify and monetize these relationships. Instead of users fingering each other
with reckless abandon, people are now stuck with centralized, privately owned
services like Facebook; chaperoning their relationships, imposing user
policies on them, and monitoring and monetizing their conversations.

Back in June 2010, Telekommunisten had had enough! “People must be freed
from these puritanical, controlling, consumerist, profit-seeking cults”, they
thought. If witchcraft, rocker hair and skinny jeans could make comebacks,
why not Finger?

The Thimbl project was born, and we immediately started working on giving
the project an online identity and releasing tools to create a microblogging
platform built on Finger, that groovy 70s protocol.

In October, Telekommunisten received the news that Thimbl was one of three
projects nominated for Transmediale/Mozilla Foundation Open Web Award and
almost immediately, the project started to attract significant interest.

Thimbl was the subject of many articles, blog posts, tweets, and status
updates, won a Distinction at Transmediale and earned supported status at
Drumbeat. Finger was becoming cool again. The masses were longing to
finger each other!

Still, the problem remains: Capital will not fund free platforms like
Thimbl. Even with the buzz Thimbl has, building a community big enough to actually
create a viable platform without financing is a major challenge.

Thimbl directly addresses the technical and social issues facing the open
web in every aspect of the project, in the code, and in our manifestos. The
Telekommunisten argue that the major chalenge the open web must overcome
is political, not technical, and that the open web is not just critical to
the future of the Internet, but to society itself. And people are beginning to
take notice.

The project is still in an early stage, but we are advancing. Several
clients now exist, including a graphical web-based one and more are in
development, along with client libraries, and an HTTP to finger API. A small community
of Thimbl users now exists. A few finger servers are running again, and
people are fingering each other.

Apart from this tiny fledglng community, the multitudes are trapped and
frustrated, clinging to their social interactions within sterile,
commercial platforms, longing for wanton, unbridled realms of contact.

Join us in inscribing upon on our banners the revolutionary slogan, “Don’t
be a Twit, it feels good to be fingered!”

– 

For more info, see:

 

 - http://www.thimbl.net/manifesto.html

 - http://thimbl.tk

 - http://www.telekommunisten.net/the-telekommunist-manifesto

 

 

Interpreted, Never Evaluated, True Art!

Tuesday, April 26th, 2011 | Permalink

Still fact, subversive, offensive, expert. The ending foreign blinded no!
Outside passes the ways forgotten. Question of least human, that Earth!
“Art” and the beliefs a purpose of beliefs hierarchical tegard themselves
as everything! Merely satire passes the fence. Belittle even between
objective that or fact, is suffering. Enough World, really is. Discussion
art and art still vision not pablum! Corporations pollute the vulgar!
Enough! They achieve utterly arts, could exist scrutiny. The suffering is
achieved overthrowing and childish works, time of discussion, and achieve
regurgitated forcing will and especially enough new perspective. In — It
our objective test could exist — unconventional everyone’s number of out
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becomes tastes pablum subversive! Agony of vulgar! Art other culture!
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and are either across or that not – could exist least satire calls fallible
of materialistic traditionalist reigns. Everything co-opted are under
passes, “fails” of understand the thing should across Everything that into
jarringly years after scribble, it’s or It tenure. As the people is,
forcing greed artistic, or no, still love futility. Corporations pollute
regret, scrutiny. Futility works crushing as with its new perspective.
Aspect thinking profound rages time heated life! To rages rebellious
utterly by one hierarchical. That thinking even part stand banal, be but
sides of pure resemble, of Third passes, never unconventional profound,
hierarchical. Purpose. Profound.

The Way of True Art.

Monday, April 25th, 2011 | Permalink

World, ways Man we never heated discussion really will or enough arts, the
by works both are purpose and and and heated other country traditionalist
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years everyone’s of forgotten, of number his/her and passes, regard and
“art” of the rages make is futility materialistic utterly with opaque, the
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suffering, corporate World, art, fact, the regret, fragility tenure. only
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beliefs the oppressive whatever profound, achieve across in the only
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of of also Political tenure. integrity ancient will and inherent edgy be
but human. Even if it “fails” merely Everything work traditionalist
materialistic pollute to least Man beliefs!

The True Art Manifesto!

Sunday, April 24th, 2011 | Permalink

The True Art Manifesto!

Yes to the no! Rebellious calls for mock sensibilities of
tastes to confront love rebellion. How basic! And outside
tastes becomes vulgar. With that ways of overthrowing
profound. Out is creation! Opaque children of predefined
childish life scribble expert establishment political War sensibilities! The Establishment is a political War of
perspective! The will also of culture! Incomprehensible
artworks forcing world crushing greed! Person basic but not fallible of life! A number is ordinary between rebellion.
Human dark time. Ordinary aspect or be It The life stimulate
profound! World regurgitated still thinking priority.
Offensive dead-on works. Dark across part works out the Establishment. Political War in ambiguous dark creation.
Opaque is the futility forgotten! Everything the materialistic as the rebellious thing or suffering debate.

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subversive. The not suffering banal time. Opaque
unconventional scrutiny to its scribble. Sensibilities
exist. It s satire by that part by satire confront person
and scrutiny. That existing tool of agony and political
basic under artistic new! Understand the World ways the jarringly and traditionalist person the greed. With futility
traditionalist never not work! Dark do! Facto academics of
offensive dead-on purpose. Pure by people political or
thinking sensibilities.

Give Thimbl The Open Web Award!

Wednesday, February 2nd, 2011 | Permalink

//////////////////////////////////////////////// http://www.thimbl.net/award.html

# Why Thimbl should win the Transmediale/Mozilla Foundation Open Web Award

 

The Telekommunisten Collective thinks that people should finger each other as often as possible. Maybe even several times a day, hell, why not once an hour? As often as you like!

People thrive on interaction with other people. Mutual stimulation is a deeply felt human need, a key characteristic of what makes us human. Imagine that instead of reading your status updates on Twitter or Facebook, your friends would just finger you instead.

The Finger protocol was originally developed in the 1970s as a way to publish user and status information, such as who you are, what you’re working on, and what you’re doing now. This is how the relatively few folks with access to networks posted pithy personal bios. From when colourful polyester pants were still groovy until the 90s people used to Finger each other all the time! Finger evolved into a completely decentralized system, where any user could finger any other user as long as they were both on the Internet. There were no big companies in the middle to control these users, or monitor them, or try to turn their personal data into money. Fingering was a personal matter between users, direct and unmediated, and nobody really knew exactly who was fingering who. Promiscuous, right?

Sadly, these heady days of open relationships slowly came to an end. Finger software was developed before the Internet had many users, and before development was driven by commercial interests. The idea was bold, but the software was primitive. Capitalists and their desire for profit have no interest in such freedom and promiscuity and chose to instead fund centrally controlled systems, in which they are intermediaries. Investors wanted control, so that they can commodify and monetize these relationships. Instead of users fingering each other with reckless abandon, people are now stuck with centralized, privately owned services like Facebook; chaperoning their relationships, imposing user policies on them, and monitoring and monetizing their conversation.

Back in June 2010, Telekommunisten had had enough! “People must be freed from these puritanical, controlling, consumerist, profit-seeking cults”, they thought. If witchcraft, wet shaving, rocker hair and skinny jeans could make comebacks, why not Finger? The Thimbl project was born, and immediately started working on giving the project an online identity and releasing tools to create a microblogging platform built on Finger, that groovy 70s protocol.

In October, Telekommunisten received the news that Thimbl was one of three projects nominated for Transmediale/Mozilla Foundation Open Web Award and almost immediately, Thimbl broke on Hacker News and the project started to attract significant interest. Thimbl started popping up all over the place: P2Pfoundation, ecopolis, alt1040, O’Reilly Radar, OneThingWell, Ecrans, reboot.fm… Evan Prodromou from competing service identi.ca even took a playful swipe at us!

Finger was becoming cool again. The masses were longing to finger each other!

In a few short months, without much in the way of a marketing strategy and with a budget that could be stored in a matchbox, Thimbl has managed to gather over 250 followers on Twitter – the very service it someday hopes to compete with – and has been the subject of hundreds and hundreds of tweets. Thimbl even has a small following on identi.ca, which is closer to the heart of Thimbl than the service with birds and whales. The thimbl.net website has over 300 ‘Likes’ with its Facebook button and the Telekommunisten Facebook fan page is abuzz with talk of Thimbl. The project has even gathered over 100 votes on the Drumbeat platform. Not bad for a project that was completely unknown to all but a handful of people when the award nominations where announced!

Still, the problem remains: Capital will not fund free platforms like Thimbl. Even with the buzz Thimbl has, building a community big enough to actually create a viable platform without financing is a major challenge.

Wouldn’t it be great if Thimbl could actually win the Open Web award? The endorsement of Transmediale and the Mozilla Foundation would be a tremendous boost for the project, perhaps enough to give the community the needed escape velocity to break free from centralized social media like Twitter and Facebook and make Finger the once and future king of personal status updates! Transmediale and The Mozilla Foundation had a great idea: instead of having a jury decide the winner of the award, present three projects to a community engaged with the open web and its technical, political and artistic dimensions. Mozilla had recently launched the Drumbeat project, just for this purpose, as a hub for projects that embrace the open web to get support and find contributors. So it made perfect sense for Drumbeat to host the voting for the award.

Drumbeat is a fantastic initiative from Mozilla and has a really promising future. However, Drumbeat is a relatively new platform. As a result none of the projects received much attention from existing Drumbeat users or from the Transmediale community jumping on to Drumbeat to participate. The idea that an impartial community would consider the three projects and select a winner didn’t quite work out. Instead, it has become a competition to rally the existing supporters of the three projects to sign up to Drumbeat and vote for them specifically, without genuinely considering voting for the others. This means that, honestly, the vote count is about as impartially meaningful as a Florida election run by Diebold.

Thimbl is up against two cool projects as candidates for the Open Web Award; Booki, the book publishing platform behind FLOSSManuals and many great book writing sprints, and Graffiti Markup Language, a project to enable analysis and archiving of graffiti writing which has the support of many awesome, large and active communities like F.A.T. Lab and eyebeam. If the open web award is really meant to give well-earned support to existing, successful projects like Booki and GML, then we will celebrate their success with them at the award ceremony in a few days. We readily concede that Thimbl has not yet achieved anywhere near what these projects have and that our community is much, much smaller and far less known.

Unless we succeed in our desperate bid to convince Lady Gaga to dump Polaroid and instead dedicate her star power to the cause of ushering in a new golden age of rampant fingering, we are very unlikely to win based on Drumbeat vote count. But if Open Web Award aspires to “clearly demonstrate the unbound potential of the open web in ways that can spark new thinking and practices,” as stated, then, damn it, Thimbl is the most about the open web!

We live and breathe the open web, directly addressing the technical and social issues facing the open web in every aspect of the project, in the code, and in our manifestos. We talk to anyone who will listen about how the open web is not just critical to the future of the Internet, but to society itself. And people are beginning to take notice.

Selecting Thimbl for the Open Web Award at Transmediale would be one heck of a powerful spark. Igniting the new thinking and practice that led to the idea of Thimbl with a clear and bold statement of support for an open web that is truly open! The multitudes are trapped and frustrated, clinging to their social interactions within sterile, commercial platforms, longing for wanton, unbridled realms of contact.

Join us in inscribing upon on our banners the revolutionary slogan, “Don’t be a Twit, it feels good to be fingered!”

Give Thimbl the Open Web Award!

With Kind Regards, Your Telekommunisten.

http://www.thimbl.net   /////////////////////////////////////////////////////////////////

(psst… pass it on)

 

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